Interview by: Toine van Poorten/Metal Maidens 2002.

NO SISSY STUFF INTERVIEW

 

1. When did NO SISSY STUFF get together as a band? 
NO SISSY STUFF got together as a band in the summer of 1996.

2. Who came up with the band name and why did you pick NO SISSY STUFF?
Birgit found the name while she was reading a „sissy stuff“ beauty magazine. We have tried to find a name that represents our image in one term: metal music without detours, that doesn’t concern neither sex nor broken fingernails nor feminism or emancipation. A name that should simply say that four girls love heavy metal and want to convince alone by their music. So wasn’t NO SISSY STUFF the right expression for that?         

3. How would you describe the music, that you play? 
Describing music is like describing a picture. You get an idea about how it might look like but you don’t get the expressed feelings. We always simply say that we play heavy metal. Significant for No sissy stuff is in general that we love combining opposites, e.g. hard riffs with melodies and clean vocals with grunts/growls. Our compositions just come out of our minds so we never thought a lot about descriptions…

4. Did the band members play in any other bands, before they joined NO SISSY STUFF?
Birgit made a lot of experiences with band projects before: Yummi Yummi Girls (heavy metal from Düsseldorf + Andernach, git.), Byonix (punk from Koblenz, git.), Bad Cheap & Nasty (heavy metal from Neuss, git. & voc.), Ragged Glory (Bob Dylan-project, b & voc), Daddies Diamonds (successful A-capella-project), gigs with 'Rockfire' (heavy metal from Bad Breisig, backings),'The real mother fisherman' (as guest-guitarist), the 'Booze-Band' (guest-gig with 'Daddies Diamonds') and with Kai Streier (ex-Ragged Glory, voc.) and guest-vampire in the cover band 'Vampire'. Gudrun also made some experiences in different band projects that she didn’t want to have mentioned here and Daniela played bass in Birgit’s no name cover project right before the foundation of No sissy stuff.
 
5. The most remarkable fact about NO SISSY STUFF is of course that there are three sisters in the line up. Did you know right from the start, who would play which instrument or did you have long discussions about it?
Discussions about that haven’t been necessary. Birgit already played guitar and Daniela decided to play the bass guitar in Birgit’s upper mentioned cover project. Gudrun already played drums and she never wanted to play any other instrument. Katja has been interested in playing guitar and so it became a bit like a puzzle. These 4 parts fitted exactly together…

6. Did you listen to (almost) the same music, before you formed this band or can we see a certain difference in musical preferences between the three sisters?
Our favourite music was and is heavy metal. There are some bands we all like very much, but every one of us has her own faves. Like in our music we don’t subdivide metal into certain styles so we can’t say one of us prefers power metal, black metal or anything else.

7. How did you get in touch with Gudrun, your drummer? It must have been extremely difficult to find someone, who would fit in your band. After all, the three of you already have a long lasting, strong bound together as sisters?
Someone who knew that Birgit was searching for a drummer also knew Gudrun and gave her Birgit's telephone number. Gudrun convinced Daniela and Birgit at once during the first common rehearsal. We simply knew that she was the one. She really fitted to the band and she was open for new experiences. And she was also ready for spending time in rehearsing, playing live-shows and all the other things that have to be done in a band.

8. Which bands can we see as your musical influences (or from the band)?
Birgit was influenced a lot by the regional acts. Before she started playing guitar she loved being in rehearsal rooms of some friends. There is no special band that influences us now. Our favourite bands change with time and we are not fixed on a certain style. If the bands we listen to influenced us directly, our music would sound very different! 

9. Katja was the last sister, who actually joined the band. She came in even after Gudrun had joined the band. Wasn’t she convinced enough yet, that it would really work as an all- female heavy metal band? Why did she join the band later than the rest?
 
At the time Gudrun met Birgit and Daniela, Birgit’s former cover project still existed. But the drummer left the band because she wanted to put her focus on her job. So we started composing our own songs with Gudrun and we asked our former singer and our guitarist to work with us on the new project, but they didn’t like the music style. For Katja this had been a welcome development. She preferred that harder music style and she decided to join the band as second guitarist. It was never a question for us if it really would work as an all- female heavy metal band.

10. Was it important for you that this band had to become an all female band, or did you leave the chance open for a male member to join your ranks?
It was not important to become an all female band it was by chance.

11. I read, that Katja is the poet of the band. She has written all the lyrics for NO      SISSY STUFF’s first CD “Last Poem”. Can she tell us, what the lyrics are about?
In general I write my lyrics about things that concern me personally, for example special situations, difficult decisions, religions, death, the search for the “right way” and every kind of feeling you can imagine. I could write a book about my lyrics but I think in your magazine there is not enough space for that… but I’m writing interpretations of my lyrics that you can read someday on our homepage.

12. Your first self composed song, as a result of the first rehearsals with GUDRUN, was called “Fight”. How come that this particular song was not on your first CD “Last Poem”?
“Fight” was the first song we composed in our lives. It has a rather simple structure. We didn’t want to record our first songs, because for
Daniela and Katja they were more or less learning to play their instruments. After becoming more experienced these songs didn’t fit to our new songs anymore.   

 13. Are there more unreleased tracks from that first period that you didn’t record for this first album?
Yes, there are more unreleased tracks... There are some riffs and ideas that we are going to take up again on our new CD but we won’t release one of these songs completely.

14. Let’s take a look at your live shows. Do you play much live?
How many shows we play in a year depends on the time we have and the offers we get, but it’s almost between eight and fifteen. We love playing live shows and are trying to enlarge the number.

15. What does a NO SISSY STUFF live show look like? Are there any show elements that you add to the show, and/or do you play any interesting covers?     Please tell our readers a bit more of what they can expect, when they go to a NO SISSY STUFF gig. 
There are no special effects we add to the show, but we’ve already thought about that. We are searching for some effects that support the messages and meanings of our songs, but until now we just try to live our songs on stage. We have a few cover songs in our program. We always take songs that we like very much – if famous or not. One song that was never missing till now is Strange machines / The Gathering and we also play The Suicider / Sentenced. Another thing we do is playing some songs of Def Con II, a band that doesn’t exist anymore. It has become our mission to keep these songs alive and to spread the Def Con II spirit all over the world.  :-)

16. With which bands did you play live already?
There are too many to mention them all here. They are listed on our homepage www.nosissystuff.de. There are some bands we play several shows with because the music and the band spirit fits together, for example Odium, Divinus, Ivory Night, Trespass etc. An interesting experience has been the gig with the Mongolians Haranga who have a totally different mentality. We have played shows with many nice bands and we are looking forward to the bands we are going to meet in the future.

17. Did you play outside of Germany already, and if yes, where (and when) was that?
No, unfortunately not. We nearly had a show in Portugal. We have been there on holidays and we met a band from Germany that was touring there with a band from Portugal. They asked us to play a show with them but unfortunately we got a “handy problem” and so we went on singing our songs at night on the beach… alone…

18. How did the press react on “Last Poem”? 
The press confirms us what we think about the actual state of No sissy stuff. “Last poem” is a good debut with some space for improvements. Eagerly they are looking forward to our new CD and our further development as well as we do.

19. Did you also get reactions from the press outside of Germany on your great CD?
Yes, the Italian internetzine “Babylon“ and the Yugoslavian printzine “THE VAULT” wrote reviews about “Last Poem” and did interviews with us. “Undertow”, a magazine from Belgium wrote a review and at the moment we are answering interviews from Chile and USA, too. We often receive mails from metal fans all over the world that are interested in our music. We even had demands to play shows in the USA, Bali, Italy and so on.

20. Were there also any negative remarks on your first CD and what’s your reaction, when you read such a negative comment? Do you ignore it or do you read it very carefully and try to avoid the same ‘mistake’ again next time?
Some criticized that the vocals were not loud enough; others said they were too loud…but if critics include things that can be improved we try to change these things for the next time if we agree with them. Serious critics we read with great interest. Perhaps they include some tips for us. But on some phrases we don’t react, for example we don’t care about remarks on the colour of our guitars. We also ignore critics on our music style, because music is always a matter of taste and we play the music we love to play.

21. I liked your CD a lot and I’m very curious about your new stuff already. Can you tell us a bit more about the new songs already?  
The new CD will be called “End time artist” and some songs are already composed. Like on every “the next CD” you will hear the further development of the band, but the base will still be the same kind of metal. Even in the lyrics you will find the development from a “pour poet, you’re too late, your words are all said, your poems are already made” to a more positive way. The feeling that everything already exists goes to accepting this fact and making the best out of it.

22. What’s your favourite NO SISSY STUFF song and why?
The favourite NO SISSY STUFF song is in general the newest one. At the moment it’s the title song of the CD we are going to record: “End time artist” but that also depends on the mood we are in.

23. Is it a coincidence, that you used a railway on your promo picture and the CD cover or is there any particular reason for that?
I like the pictures railway, station, trains, because they have a lot of meanings. The place where I wrote most of the lyrics, the railway-station of Koblenz, inspires a lot. The promo picture has a special meaning, too. The rails are a picture for the way of life and for us that’s music, so on this promo picture we are standing on our base. The CD is “only” a station in our life. That’s why there are parts of a railway station on the cover.

24. I have a theory about your CD sleeve, but I might go too far in my thinking. I just wanted to explain it to you anyway, so you can react to this. I made a connection between the CD sleeve and the CD title. The title is “Last Poem”, which stands for ‘some ones last action’. Maybe even some ones very last action, before he/she dies. Looking at the picture on your CD sleeve, my mind went out to the railways, that lead to the gates of the concentration camps. The hazy picture on the back of the CD booklet looks like the hazy pictures that you sometimes see from that period. In combination with the big building, it made me think of people who are writing their last poem during the war in a concentration camp. I think I’m totally wrong here, especially in connection with the clock that I can’t place in this story, but this was the very first idea that I got, after I saw it. Your reaction on this theory, please.
I wanted to have these pictures on the CD cover because they inspired me to write these songs. Maybe I explain now how I wrote the lyric of “Last Poem”. Sitting on my old place on the Koblenzer railway- station, I had a lot of feelings, felt inspired to write something, but there were no real thoughts, no real words. While sitting there, I realized that you can’t write something completely new, because there were a lot of poets who had my ideas before me. It is the last poem, because I thought after this knowledge I would never be able to write something again, but I was wrong.
I have the intention that people have their own thoughts about the meaning of the lyrics and the pictures on the CD. I always try to describe the pictures that had inspired me. They have a special meaning, but I always try to leave enough space for every ones personal interpretation. So I’m glad that you made your own theory, but if you’d know me, you wouldn’t associate anything I do with war or concentration camps.

25. Well, let’s move on to a bit easier subject now. In your CD booklet you thanked a lot of bands on the last page. There was one remarkable name among them, and that’s the name of TRESPASS. Is this by any chance the legendary NWOBHM band? And if yes, what is your connection with this band?
No, it’s not the NWOBHM band TRESPASS. It’s the legendary trance metal       band from Sinzig & Köln. J

26. In the bio of Birgit, we can read that she has played in several other heavy metal bands before like THE YUMMI YUMMI GIRLS, BAD, CHEAP AND NASTY and ROCKFIRE. Did you also record something with these bands?
No. In my first band, the Yummi Yummi Girls, our guitarist Mary (later B Bang Cider) was from Düsseldorf and we got problems with the rehearsals because of the distance. Bad, Cheap & Nasty had some demo tapes, but at the time I joined the band the guys had already been at the end of their career. It was their last trial and it failed. Rockfire recorded a single during the eighties. At their live shows three other girls and me did the backing vocals as “Kinky Girls” – something like the “Nasty Habits” of Mötley Crue. The remembrance at it makes me smile…

27. What would you think is the major difference between these heavy metal bands and NO SISSY STUFF?
The main difference was that I played an instrument in an already existing band, but wasn’t involved in the song writing. I only played the ideas of others, it didn`t satisfy me. The “No sissy stuff” girls are my best friends and we do a lot of things together and we have the same idea about how to compose songs, about “goals” and so on.

28. On the bottom of the bio of Birgit I found a nice statement which said: “How will it go on? That doesn’t matter, because...the way is the goal”. Please explain this a bit closer to us.
It means that we are not going to reach a certain goal. We compose, do recordings, play live shows, etc.  because we love doing that. We are not doing it with the intention to reach something special. To love what you do is more important than anything else.

29. How important is the Internet for your band?
We never paid much attention to the Internet till Birgit started working in an Internet company. We got a domain and email accounts and suddenly we enjoyed making a band homepage and getting all these nice contacts to metal fans from all over the world.

30. I also found a link to a site, that had the “Hellraiser” logo in their banner. Do you like this kind of movies?
We think this banner was shown by one of the banner exchanges we join. We don’t have any influences on the banner shown through that. But in general we don’t like horror films. It doesn’t give a pleasant feeling and we don’t learn anything by watching a horror film so for us there is no sense in watching such films.

31. Do you girls have any hobbies or interests besides playing music?
Yes, we all have. But most of them deal with music or art in general. Daniela and Katja for example love dancing and Birgit likes painting and she’s going to write a book. We take part in a great musical and a short-film project. Gudrun does some band projects like a W.A.S.P. cover band and she loves sessions with other musicians.

32. How do the three sisters in the band separate their private life from the band? I can imagine, that if one of the three sisters is dealing with a big problem, it will effect her two sisters, and it might reflect on your work with Gudrun as well. How do you deal with these situations?
It’s impossible to separate private life from the band, but that’s no problem. We’ve learned to deal with that. If anyone of us has a problem we talk and discuss about that and sometimes Katja suddenly gets silent, takes a piece of paper and writes a new song text. In this case the problem becomes very useful for us.

33. What’s your profession besides playing in a band and would you like to become a professional musician?
Birgit works as a key account assistant in an Internet company, Gudrun works as taxi & bus-driver. Katja is studying business management and Daniela is going to make her diploma in laser-technics soon. We really love being musicians and if there will be a possibility to live from music or art, we’ll surely take the chance.     

34. What are the future plans for NO SISSY STUFF?
Marrying and getting children – just kidding. First we are going to record our next CD and after that we think about touring through Germany. But beside that, we don’t have any concrete plans. We just go the way we expect to be ours and enjoy every single step.

35. Any plans for playing in Holland maybe??
No plans yet, but if there’s an opportunity we will take it!

36. Is there anything you’d like to add to this interview? Maybe there’s something we forgot to mention and that is essential enough to write about.
Something essential? Oh yes - Our drummer loves curling her hair with full attention during the breaks of our rehearsals…and during nearly every conversation. 

37. Are there any personal messages, that you have for our readers Metal Maidens?

If you play in a band and you get an interview from “Metal Maidens” pay attention! It’s really hard work! But this work is worth to be done because you learn a lot about yourself and the band ‘cause there are really thoughtful and interesting questions!

38. Do you agree that women have to work harder in the music scene to get the recognition that they deserve, which is also the main reason why we started this magazine seven years ago, or don’t you think that this is true anymore in this new millennium?
For us it doesn’t make a difference if you are male or female. Reality is subjective and everybody perceives it as absolutely valid. We think that everybody creates his own reality and if someone thinks that there is a problem, there will be a problem – in the head of this person. We believe that if you are fascinated in what you are doing and work on it with enthusiasm you are on the right way.

39. The last words are for you.

We hope these words aren’t our last ones! Thank you, Toine, for asking all these interesting questions and thank you ALL for reading this.     

We like to thank you very much for answering all our questions and we want to wish you all the success in the world for your further career. I hope we can stay in touch, so you can update us from time to time about NO SISSY STUFF.
Cheers!